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"About the moon? Oh, many things. I was not thinking of the moon," with faint impatience; "yet, as you ask me, I can remember one thing he says about it." Quite near to the poor corpse, a woman sits, young, apparently, and with a handsome figure, though now it is bent and bowed with grief. She is dressed in the ordinary garb of the Irish peasant, with a short gown well tucked up, naked feet, and the sleeves of her dress pushed upwards until they almost reach the shoulder, showing the shapely arm and the small hand that, as a rule, belong to the daughters of Erin and betray the existence of the Spanish blood that in days gone by mingled with theirs. "I suppose so," she says, in a voice from which all joy has flown. "And it is only natural; you will be happier there." She is looking straight before her. There is no quiver in her tone; her lips do not tremble; yet he can see how pale she has grown beneath the vivid moonlight..

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Now, after the third night the chief ghost called together all the people, and they came, and with them came the man's wife. One of the ghosts was beating a drum, and following him was another who carried the Worm Pipe, which they gave to him. "The floor of heaven Her eyes are large and blue, with a shade of green in them; her lips are soft and mobile; her whole expression is debonnaire, yet full of tenderness. She is brightness itself; each inward thought, be it of grief or gladness, makes itself outwardly known in the constant changes of her face. Her hair is cut above her forehead, and is quite golden, yet perhaps it is a degree darker than the ordinary hair we hear described as yellow. To me, to think of Dorothy Darling's head is always to remind myself of that line in Milton's "Comus," where he speaks of "Only to return," interrupts he, quickly. "And—to break at your feet? to break one's heart, do you mean? I do not like your simile.".